Working on the Chef to Chef piece is a multi-step process and involves a lot of cameras. Not only do we publish a story, we also create a short video of the preparation of the dish for our website, MaineAhead.com.

One of the most important aspects of the project is Mark Janicki's sit-down interview with the chef.

Working in a commercial kitchen isn't always easy, but it does frequently provide for some interesting angle shots.

We had three cameras rolling for this shoot -- Luke worked the main stationary camera you see here. There is another camera on a tripod just off to the side and Melanie stood on a chair next to Janicki with yet another camera. Leslie worked the room taking still shots.
Leslie and Mark Wellman set up for a portrait of Justin in the dining room as well as a shot of the prepared plate of food. Lighting is always an issue and we frequently bring more gear than we need -- better to be safe than sorry.
It took two hours to get everything we needed before heading back north to Bangor. While it's frequently a stressful project, everyone always ends up having a great time. Check Fuel out online here and be sure to catch Chef Justin's creation in the April issue of Maine Ahead.
0 comments:
Post a Comment